The Man with the Broken Fingers
The Man with the Broken Fingers throws a shadow.
Down from the spruce and evergreen mountain timbers of Norway--
And across Europe and the Mediterranean to the oasis palms of Libya--
He lives and speaks a sign language of lost fingers.
From a son of Norway who slipped the Gestapo nets, the Nazi patrols,
The story comes as told among those now in Norway.
Shrines in their hearts they have for this nameless man
Who refused to remember names names names the Gestapo wanted.
"Tell us these names. Who are they? Talk! We want those names!"
And the man faced them, looked them in the eye, and hours passed and no
names came -- hours on hours and no names for the Gestapo.
They told him they would break him as they had broken others.
The rubber hose slammed around face and neck,
The truncheon handing pain with no telltale marks,
Or the distinction of a firing squad and death in a split second --
The Gestapo considered these and decided for him something else again.
"Tell us those names. Who were they? Talk! Names now -- or else!"
And no names came -- over and over and no names.
So they broke the little finger of the left hand.
Three fingers came next and the left thumb bent till it broke.
Still no names and there was a day and night for rest and thinking it over
Then again the demand for names and he gave them the same silence.
And the little finger of the right hand felt itself twisted,
Back and back twisted till it hung loose from a bleeding socket.
Then three more fingers cracked and splintered one by one
And the right thumb back and back into shattered bone.
Did he think about violins or accordions he would never touch again?
Did he think of baby or woman hair he would never again play with?
Or of hammers or pencils no good to him any more?
Or of gloves and mittens that would always be misfits?
He may have laughed half a moment over a Gestapo job
So now for a while he would handle neither knife nor fork
Nor lift to his lips any drinking-cup handle
Nor sign his name with pen between thumb and fingers.
And all this was halfway -- there was more to come.
The Gestapo wit and craft had an aim.
They wanted it known in Norway the Gestapo can be terrible.
They wanted a wide whispering of fear
Of how the Nazis handle those who won't talk or tell names.
"We give you one more chance to co-operate."
Yet he had no names for them.
His locked tongue, his Norwegian will pitted against Nazi will,
His pride and faith in a free man's way,
His welcoming death rather than do what they wanted --
They brought against this their last act of fury,
Breaking the left arm at the elbow,
Breaking it again at the shoulder socket --
And when he came to in a flicker of opening eyes
They broke the right arm first at the elbow, then the shoulder.
By now of course he had lost all memory of names, even his own.
And there are those like you and me and many many others
Who can never forget the Man with the Broken Fingers.
His will, his pride as a free man, shall go on.
His shadow moves and his sacred fingers speak.
He tells men there are a thousand writhing shattering deaths
Better to die one by one than to say yes yes yes
When the answer is no no no and death is welcome and death is soon
And death is a quiet step into a sweet clean midnight.
(When this tale of methodically inflicted agony was published in the Chicago
Times Syndicate newspapers August 23, 1942, it brought inquiries whether it was
propaganda or based on an actual incident. My information was a Norwegian
ski champion known as Lieutenant ‘Andreas’ for the safety of his home kinfolk.
He gave the incident as he had it from the son of the main tragic figure. Among
many other related points was one of German soldiers whose minds began to
crack under the strain of the inhuman acts required of them by their superiors,
such soldiers being returned to Germany as ‘mental cases’ needing therapeutic
treatment. ‘Andreas’, a sober and modest hero, was killed in a bomber flight
over Berlin. Friends of ‘Andreas’ say the story above had translation into other
languages and circulation by undergrounds.