Inside or out, the key is pain. It holds
The florist to your pink medicinal rose,
The nickname to the corpse. One wipes it from
Blue German blades or drops it down the drain;
The novelist with a red tube up his nose
Gingerly pets it. Nurse can turn it off.
This is the Oxford of all sicknesses.
Kings have lain here and fabulous small Jews
And actresses whose legs were always news.
In this black room the painter lost his sight,
The crippled dancer here put down her shoes,
And the scholar’s memory broke, like an old clock.
These reached to heaven and inclined their heads
While starchy angels reached them into beds:
These stooped to hell to labor out their time,
Or choked to death in seas of glaucous slime:
All tasted fire, and then, their hate annealed,
Ate sad ice-cream and wept upon a child.
What church is this, what factory of souls
Makes the bad good and fashions a new nose,
And the doctors reel with Latin and even the dead
Expect the unexpected? For O the souls
Fly back like heavy homing-birds to roost
In long-racked limbs, filling the lonely boughs.
The dead cry of life and stagger up the hill;
But is there still the incorrigible city where
The well enjoy their poverty and the young
Worship the gutter? Is Wednesday still alive
And Tuesday wanting terribly to sin?
Hush, there are many pressing the oak doors,
Saying, “Are boys and girls important fears?
Can you predict the elections by my guts?”
But the rubber gloves are deep in a deep wound,
Stitching a single heart. These far surpass
Themselves, their wives, and the removed goitre;
Are, for the most part, human but unbandaged.