Glenn Gould: Bach’s Italian Concerto, BMV 971
North of Superior, November,
bad weather behind, more
coming in from the west, the car windows furred
with salt, the genius of his fingers
bright, incongruous, cresting a ridge
and without warning the sky
has been swept clear: the shaved face
of the granite, the unleafed aspens
gleaming in the low heraldic light, the friend
I had once who hoped he might die
listening to this music, the way
love finds us in our bodies
even when we’re lost. I’ve known very little,
but what I have known
feels like this: compassion without mercy,
the distances still distances
but effortless, as though for just a moment
I’d stepped into my real life, the one
that’s always here, right here,
but outside history: joy
precise and nameless as that river
scattering itself among
the frost and rocks.