We Land on the Roof of This Poem
like teenage thieves dressed in black ski mask chic.
I conjure up an empty trash bag to plunder
this house of abundance.
I’ll ransack each room, starting
with the kitchen,
empty it of metaphors, gut it
like a fish.
I pry open
the skylight with a rusty crowbar.
Stars pour into this poem,
lusty, doubt-filled. The radiator
hums. The father
snores. The daughter lies
awake reading. The mother stares
up at the ceiling. Only the cat notices.
She blinks once, then disappears
behind a bookcase. Dust lingers
on each volume. I dump them
into my bag, Cain’s Jawbone, Anna Karenina,
and The Manly Art of Knitting
now under my possession.
I slide down each stanza,
stealing similes, and exit
out the front door, solid oak.
But I’m not entirely bad.
I’ll leave the structural quatrains
and internal rhymes.
I won’t touch the volta that hides in the basement in plain sight, let it remain
instead of rot for other future scavengers, searching for some kind of meaning.
“Name, phone, address: The writing on a child’s back is
now a symbol of Ukrainian parents’ terror.”
- The New York Times