Malcolm Mooney’s Land
W.S. Graham
I
Today, Tuesday, I decided to move on
Although the wind was veering. Better to move
Than have them at my heels, poor friends
I buried earlier under the printed snow.
From wherever it is I urged these words
To find their subtle vents, the northern dazzle
Of silence craned to watch. Footprint on foot
Print, word on word and each on a fool’s errand.
Malcolm Mooney’s Land. Elizabeth
Was in my thoughts all morning and the boy.
Wherever I speak from or in what particular
Voice, this is always a record of me in you.
I can record at least out there to the west
The grinding bergs and listen, further off
Where we are going, the glacier calves
Making its sudden momentary thunder.
This is as good a night, a place as any.
II
From the rimed bag of sleep, Wednesday,
My words crackle in the early air.
Thistles of ice about my chin,
My dreams, my breath a ruff of crystals.
The new ice falls from canvas walls.
O benign creature with the small ear-hole,
Submerger under silence, lead
Me where the unblubbered monster goes
Listening and makes his play.
Make my impediment mean no ill
And be itself a way.
A fox was here last night (Maybe Nansen’s,
Reading my instruments.) the prints
All round the tent and not a sound.
Not that I’d have him call my name.
Anyhow how should he know? Enough
Voices are with me here and more
The further I go. Yesterday
I heard the telephone ringing deep
Down in a blue crevasse.
I did not answer it and could
Hardly bear to pass.
Landlice, always my good bedfellows,
Ride with me in my sweaty seams.
Come bonny friendly beasts, brother
To the grammarsow and the word-louse,
Bite me your presence, keep me awake
In the cold with work to do, to remember
To put down something to take back.
I have reached the edge of earshot here
And by the laws of distance
My words go through the smoking air
Changing their tune on silence.
III
My friend who loves owls
Has been with me all day
Walking at my ear
And speaking of old summers
When to speak was easy.
His eyes are almost gone
Which made him hear well.
Under our feet the great
Glacier drove its keel.
What is to read there
Scored out in the dark?
Later the north-west distance
Thickened towards us.
The blizzard grew and proved
Too filled with other voices
High and desperate
For me to hear him more.
I turned to see him go
Becoming shapeless into
The shrill swerving snow.
IV
Today, Friday, holds the white
Paper up too close to see
Me here in a white-out in this tent of a place
And why is it there has to be
Some place to find, however momentarily
To speak from, some distance to listen to?
Out at the far-off edge I hear
Colliding voices, drifted, yes
To find me through the slowly opening leads.
Tomorrow I’ll try the rafted ice,
Have I not been trying to use the obstacle
Of language well? It freezes round us all.
V
Why did you choose this place
For us to meet? Sit
With me between this word
And this, my furry queen.
Yet not mistake this
For the real thing. Here
In Malcolm Mooney’s Land
I have heard many
Approachers in the distance
Shouting. Early hunters
Skittering across the ice
Full of enthusiasm
And making fly and,
Within the ear, the yelling
Spear steepening to
The real prey, the right
Prey of the moment.
The honking choir in fear
Leave the tilting floe
And enter the sliding water.
Above the bergs the foolish
Voices are lighting lamps
And all their sounds make
This diary of a place
Writing us both in.
Come and sit. Or is
It right to stay here
While, outside the tent
The bearded blinded go
Calming their children
Into the ovens of frost?
And what’s the news? What
Brought you here through
The spring leads opening?
Elizabeth, you and the boy
Have been with me often
Especially on those last
Stages. Tell him a story.
Tell him I came across
An old sulphur bear
Sawing his log of sleep
Loud beneath the snow.
He puffed the powdered light
Up on to this page
And here his reek fell
In splinters among
These words. He snored well.
Elizabeth, my furry
Pelted queen of Malcolm
Mooney’s Land, I made
You hear beside me
For a moment out
Of the correct fatigue.
I have made myself alone now.
Outside the tent endless
Drifting hummock crests.
Words drifting on words.
The real unabstract snow.
1970
= Wayne Vargas