2. Glyph, Aberdeen, 1913
The child’s head droops as if in sleep.
Stripped to the waist, in profile, he’s balanced
on the man’s lap. The man, gaunt in his overalls,
cradles the child’s thin arm—the sharp elbow, white
signature of skin and bone. He pulls it forward
to show the deformity—the humped back, curve
of spine—punctuating the routine hardships
of their lives: how the child must follow him
into the fields, haunting the long hours
slumped beside a sack, his body asking
how much cotton? or in the kitchen, leaning
into the icebox, how much food? or
kneeling beside him at the church house,
why, Lord, why? They pose as if to say
Look, this is the outline of suffering:
the child shouldering it—a mound
like dirt heaped on a grave.